Casey Burns / Art Director
 

Hi, I’m Casey Burns

I’m a creative idea machine who can design better than your roommate and write three campaign spots before lunch.

Graduating from UNC by the skin of my teeth, journalism degree and Morehead Scholar status magically intact, I quit my job at Pepper’s Pizza to become the first ever full-time in-house art director for Frank Heath's storied Cat's Cradle music venue in Carrboro, NC.

At some point, my poster art for the club made the unexpected leap from telephone poles and record store windows to coffee table books and museum walls, in nine languages across three continents.

I moved to Portland, OR, and my art in those books attracted art directors from my dream clients. In rapid succession, cultural giants like Nike, The New York Times, Dr. Martens, Vans, Sonic Youth and Modest Mouse hired me for high-profile projects.

My proprietary blend of hand lettering, traditional illustration, and bold blocks of color infiltrated apparel graphics for the world’s biggest rock bands, toy designs for niche collectors, book covers for the young adult market, and patch designs for my nephew’s Boy Scout troop.

As I continued growing as a creative, my focus drifted away from illustration to bigger ideas that were more broadly conceptual. Advertising agencies seduced me with their appreciation of ideas that can work not just on film or on paper, but in any place and by any means.

So I flipped the coffee table and moved to New York City and became an advertising art director. And I love what I do.

Now New York City ad agencies hire me for assignments that range from big brand ideas for content and experiences all the way down to those lonely but crucial banner resizes.

Places like Substack hire me to work directly with their top writers (see Patti Smith) to develop the look of their public-facing creative outlets.

I particularly thrive on the conceptual side of ad agency work, and partnering with a great copywriter makes it all even more fun – it’s like fishing with a friend, except you catch all of the fish, and you save the beer until it’s quitting time.

I love the process of creation far more than any final deliverable. But a solid finished piece really does look great up on the shelf next to your other favorite things, doesn’t it?

Please reach out if you’d like to work together.

Email: casey@caseyburns.com

 
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Client List

NBD

My work has won awards and recognition from these competitions
Bronze Cannes Lions (2017 Outdoor Ambient Experiential & Immersive Digital, as designer); Society of Illustrators (multiple years, as art director and as illustrator); Communication Arts (multiple years, as art director and as illustrator); American Illustration.

My work often blurs the lines between fine art + commercial art + design + advertising
A curriculum vitae of my many shows in fine art galleries and far dirtier venues can be found here.

My work has exhibited in these fine art and academic institutions
CA2M / Centro de Arte Dos de Mayo (Madrid); LiFE / Lieu International des Formes Emergentes (St. Nazaire, France); Museion (Bolzano, Italy); KIT / Kunsthall Düsseldorf (Germany); Malmö Konsthall (Sweden); Centro Huarte de Arte Contemporáneo (Navarra, Spain); MKG / Museum für Kunst und Gewerbe (Hamburg, Germany); and SFC / The Southern Folklife Collection at the University of North Carolina at Chapel Hill.

My work resides in these permanent collections
Poster House (NYC), The Southern Folklife Collection at the University of North Carolina at Chapel Hill.

My work appears in these beautiful art books
The Art of Modern Rock by Paul Grushkin and Dennis King (Chronicle, 2004), Gig Posters: Rock Show Art of the 21st Century by Clay Hayes (Quirk, 2009), Classic Rock Posters by Mick Farren and Dennis Loren (Omnibus Press, UK, 2012), Rock Poster Art by Didier Maiffredy (Eyrolles, France, 2012), 1000 Indie Posters by John Foster (Rockport, 2011), Rock Paper Show: Flatstock Volume One by Geoff Peveto (Soundscreen Design, 2010), Sonic Youth, etc: Sensational Fix by Roland Groenenboom (Walther König, Germany, 2008), Rockin' Down the Highway: The Cars and People That Made Rock Roll by Paul Grushkin (Voyageur Press, 2006), Panda Meat: Source Book One by Frank Kozik (Last Gasp, 2005), Simple Screenprinting by Annie Stromquist (Lark Books, 2004).

My work has received notable press from these publications
Elle Girl (Korea), Fantasy Art (China), Hamburger Abendblatt (Germany), Los Angeles Times, How Magazine, Communication Arts, Seattle Thrillist, Carolina Alumni Review, Independent Weekly, Chapel Hill News, Durham Herald-Sun, Raleigh News and Observer, The Oregonian.

My work has appeared in the background in these movies and television shows
Shameless (Showtime), Maron (IFC), Chuck (NBC), Going the Distance (Warner Bros).

Sometimes I play music and make records and tour all over the place with good friends who are far far better musicians than me
LD Beghtol / LD&CO (bass, 2012-2020); The Rosebuds (bass, 2008); The Nein (bass, 2003-2006).

Teen dream photo by Meredith Hinshaw